U2 documentary premiere in Toronto

Rockmentary fans are in luck with the release of two new documentaries from U2 and Pearl Jam debuting at the Toronto International Film Festival later this week.

The world premiere of a U2 documentary called From the Sky Down, directed by Davis Guggenheim, who earned an Oscar for his documentary An Inconvenient Truth, will headline the festival on September 8 - marking the first time the festival has opened with a documentary.

Pearl Jam are also premiering their Cameron Crowe-helmed documentary Pearl Jam Twenty, celebrating the 20th anniversary of the band’s debut album, Ten, on September 10. Pearl Jam and band friend Crowe, who wrote and directed Singles and Almost Famous, have collected over 1,200 hours of vintage footage of the band, along with new interviews and a soundtrack.

Following the release of the film in select theaters in the US on September 20, Pearl Jam Twenty will also air on October 21 on PBS. No information is yet available on its wider release, but stayed tuned to the band’s official website for more details.

U2’s documentary will be featured as part of the 20th anniversary reissue of their album Achtung Baby, set to release October 31/November 1.

Bono defends Steve Jobs

Irish rock band U2”s lead singer, Bono, has defended Apple’s co-founder, Steve Jobs, after a columnist wrote that the billionaire businessman does not give enough to charity.

The singer wrote in a letter in response to the New York Times article that Jobs said there was ‘nothing better than the chance to save lives’, when he approached him about a campaign to fight AIDS in Africa, the Sydney Morning Herald reports.

Apple was the biggest contributor for the (Product) Red fund-raising brand to the Global Fund to Fight AIDS, Tuberculosis and Malaria, giving tens of millions of dollars, Bono wrote.

“”I”m proud to know him,” Bono wrote about Jobs.

“”He”s a poetic fellow, an artist and a businessman. Just because he”s been extremely busy, that doesn”t mean that he and his wife, Laurene, haven”t been thinking about these things,” he added.

Andrew Ross Sorkin wrote in a column that Jobs was not a ‘prominent philanthropist’ despite having accumulated 7.8 million dollras through holdings in Apple and the Walt Disney Company.

There was no public record of Jobs giving money to charity, Sorkin wrote.

What did you know about Dublin Sessions ?

In February 1991, U2 resumed the album’s sessions in the seaside manor “Elsinore” in Dalkey, renting the house for ₤10,000 per month. Lanois’ strategy to record in houses, mansions, or castles was something he believed brought atmosphere to the recordings. Dublin audio services company Big Bear Sound installed a recording studio in the house, with the recording room in a converted garage diagonally beneath the control room. Video cameras and TV monitors were used to monitor the spaces. Within walking distance of Bono’s and The Edge’s homes, the sessions at Elsinore were more relaxed and productive.The band struggled with one particular song—later released as the B-side “Lady With the Spinning Head”—but three separate tracks, “The Fly”, “Ultraviolet (Light My Way)” and “Zoo Station” were derived from it. During the writing of “The Fly”, Bono conceived an alternate persona based on a pair of oversized black sunglasses that he wore to lighten the mood in the studio. Bono developed the character into a leather-clad egomaniac also called “The Fly”, and he assumed this alter ego for the band’s subsequent public appearances and live performances on the Zoo TV Tour.

In April, tapes from the earlier Berlin sessions were leaked and bootlegged. Bono dismissed the leaked demos as “gobbledygook”, and The Edge likened the situation to “being violated”. The leak shook the band’s confidence and soured their collective mood for a few weeks. Staffing logistics led to the band having three engineers at one point, and as a result, they split recording between Elsinore and The Edge’s home studio. Engineer Robbie Adams said the approach raised morale and activity levels: “There was always something different to listen to, always something exciting happening.” To record all of the band’s material and test different arrangements, the engineers utilised a technique they called “fatting”, which allowed them to achieve more than 48 tracks of audio by using a 24-track analogue recording, a DAT machine, and a synchroniser. In the June 1991 issue of U2’s fan magazine Propaganda, Lanois said that he believed some of the in-progress songs would become worldwide hits, despite lyrics and vocal takes being unfinished.

During the Dublin sessions, Eno was sent tapes of the previous two months’ work, which he called a “total disaster”. Joining U2 in the studio, he stripped away what he thought to be excessive overdubbing. The group believes his intervention saved the album. Eno theorised that the band was too close to their music, explaining, “if you know a piece of music terribly well and the mix changes and the bass guitar goes very quiet, you still hear the bass. You’re so accustomed to it being there that you compensate and remake it in your mind.” Eno also assisted them through a crisis point one month before the deadline to finish recording; he recalls that “everything seemed like a mess”, and he insisted the band take a two-week holiday from working on the album. The break gave them a clearer perspective and added decisiveness.

After work at Elsinore finished in July, Eno, Flood, Lanois, and previous U2 producer Steve Lillywhite mixed the tracks at Windmill Lane Studios. Each producer created his own mixes of the songs, and the band either picked the version they preferred or requested that certain aspects of each be combined. Additional recording and mixing continued at a frenetic pace until the 21 September deadline, including last-minute changes to “The Fly” and “One”. The Edge estimates that half of the work for the album sessions was done in the last three weeks to finalise songs. The final night was spent devising a running order for the record. The following day, The Edge travelled to Los Angeles with the album’s tapes for mastering.

Alkas and Bono

SCARBOROUGH restaurateur Alkas Ali talks about his life - his family, religion, work, sport and admiration for U2 frontman Bono. Reporter Dave Barry recognises a kindred spirit. 

ONE of the most memorable moments in Alkas Ali’s life was sharing a stage with U2.

As a supporter of Bono’s charity one.org, which fights poverty around the world, Alkas tells fans about it at U2 shows.

Instead of asking for money, he solicits support for online campaigns, petitions, etc.

“We walk round the audience before the show and ask people to sign up and take email addresses on a laptop,” says Alkas, who first saw U2 at Band Aid in 1985. Since then, he has seen them in Spain, Italy, Ireland and Scotland.

“It’s amazing what pressure can do; it’s one of the reasons why I like U2,” he says.

At the Glasgow show, Bono invited Alkas and about 20 other volunteers on stage. They each held a mask of Aung San Suu Kyi on a stick, walking around the stage in front of 100,000 people while U2 played Walk On, dedicated to the Burmese democracy campaigner. They were then allowed to watch the rest of the show from backstage.

 

Alkas is a humble, compassionate, unassuming and broad-minded humanitarian with a well-balanced view of the world and its problems. He has travelled widely, although not as widely as he would like, and hopes to visit Australia and America when he has more time. He is going to a wedding in Poland next month.

He identifies closely with Bono’s CoeXisT campaign, advocating religious tolerance. CoeXisT is written with the C shaped like an Islamic crescent moon, the X like a Jewish star and the T like the Christian cross.

“Because I was born in Bangladesh and brought up in this country I can see both worlds and help charities in both countries,” says Alkas, who speaks English, Bengali, Hindi and a little Arabic.

Alkas can talk to anyone, which is a useful attribute for a restaurateur, and one which springs from his friendly, altruistic disposition. “I can communicate with European, western people, and I can understand people in Asia. I respect people from different backgrounds and religions.

“I feel privileged to be able to understand; it enhances my life as a human being. I can co-exist with anybody; I like to think I can get on with most people.”

As a practising Muslim, Alkas prays every day and has taken his family to Mecca in Saudi Arabia on an Umrah pilgrimage; they will go again in April. He feels the time is not yet right for him to undertake the Hajj, the world’s largest pilgrimage, and one which every able-bodied Muslim should do at least once, if they can afford it. “You have to make sacrifices. It teaches you to be a better human being. Emotionally, I’m not ready yet; I need to be more aware. I have a lot more to learn.

Alkas and Bono

SCARBOROUGH restaurateur Alkas Ali talks about his life - his family, religion, work, sport and admiration for U2 frontman Bono. Reporter Dave Barry recognises a kindred spirit. 

ONE of the most memorable moments in Alkas Ali’s life was sharing a stage with U2.

As a supporter of Bono’s charity one.org, which fights poverty around the world, Alkas tells fans about it at U2 shows.

Instead of asking for money, he solicits support for online campaigns, petitions, etc.

“We walk round the audience before the show and ask people to sign up and take email addresses on a laptop,” says Alkas, who first saw U2 at Band Aid in 1985. Since then, he has seen them in Spain, Italy, Ireland and Scotland.

“It’s amazing what pressure can do; it’s one of the reasons why I like U2,” he says.

At the Glasgow show, Bono invited Alkas and about 20 other volunteers on stage. They each held a mask of Aung San Suu Kyi on a stick, walking around the stage in front of 100,000 people while U2 played Walk On, dedicated to the Burmese democracy campaigner. They were then allowed to watch the rest of the show from backstage.

 

Alkas is a humble, compassionate, unassuming and broad-minded humanitarian with a well-balanced view of the world and its problems. He has travelled widely, although not as widely as he would like, and hopes to visit Australia and America when he has more time. He is going to a wedding in Poland next month.

He identifies closely with Bono’s CoeXisT campaign, advocating religious tolerance. CoeXisT is written with the C shaped like an Islamic crescent moon, the X like a Jewish star and the T like the Christian cross.

“Because I was born in Bangladesh and brought up in this country I can see both worlds and help charities in both countries,” says Alkas, who speaks English, Bengali, Hindi and a little Arabic.

Alkas can talk to anyone, which is a useful attribute for a restaurateur, and one which springs from his friendly, altruistic disposition. “I can communicate with European, western people, and I can understand people in Asia. I respect people from different backgrounds and religions.

“I feel privileged to be able to understand; it enhances my life as a human being. I can co-exist with anybody; I like to think I can get on with most people.”

As a practising Muslim, Alkas prays every day and has taken his family to Mecca in Saudi Arabia on an Umrah pilgrimage; they will go again in April. He feels the time is not yet right for him to undertake the Hajj, the world’s largest pilgrimage, and one which every able-bodied Muslim should do at least once, if they can afford it. “You have to make sacrifices. It teaches you to be a better human being. Emotionally, I’m not ready yet; I need to be more aware. I have a lot more to learn.

“If you have family and religion you no longer have a broken society; it keeps you humble. My Asian and European culture and religion keep me in contact with reality and make me feel we’re only human. It’s a very peaceful religion. It gives me peace, harmony and a sense of belonging.”

In Sri Lanka, his inquisitive nature took him to the Temple of the Tooth, one of the biggest shrines to Buddhism. In Rome, he made a beeline for St Peter’s Church, one of the holiest Catholic sites.

Alkas says he has never drunk alcohol or taken drugs - “I never had the need.”

He is on a committee which aims to create an Islamic centre in Roscoe Street. “We’ve bought the building and got planning permission. Now we are looking at ways of raising the money we need.” The centre will cater for the town’s small Muslim community, numbering about 100. If you would like to make a donation, write to Dr Al Safa at PO Box 308, Scarborough.

In February, Alkas will visit schools in his birthtown, Sylhet, accompanied by a teacher from the all-girl Beverley High School. They want to build a link between the school and one in Sylhet. “It will look at different cultures, how they affect teaching methods, how we can help them improve teaching, and we will support them,” Alkas says.

Alkas and his wife Nurun married in 1987 and have three daughters and a son. Nasima, 22, qualified as an accountant last year after completing a degree-level Association of Accounting Technicians course while working at Winns. Nazia, 20, is in her second year at Teesside University in Middlesbrough, studying midwifery. Ruhul, 17, has just finished at the Sixth Form College. Romisha, 12, is at Graham School. “She’s her daddy’s spoilt girl”, Alkas says. “Asian and Muslim people are very family oriented,” he adds.

Alkas ranks his memorable moments as the birth of his children, visiting Mecca and sharing a stage with Bono, in that order.

 

Alkas was born in 1967 and emigrated to the UK with his parents and three siblings seven years later. Their first British home was in Burnley, where Alkas’s parents still live for half the year, spending the colder months in the warmer mother country. As a British citizen, Alkas must get a visa whenever he wants to go back to Bangladesh.

The family lived in Scunthorpe briefly before moving to Scarborough, following Alkas’s cousin Mahmud Ali, when Alkas was 15. He attended Raincliffe School and, after leaving, found his vocation while working at Indian restaurants, learning the ropes and gaining experience. He worked in Scarborough and two places near York: Jinnah on the A64 and the 200-seat Jaipur Spice in Easingwold.

In 2000, Alkas and his nephew Abul Ali took over Scarborough Tandoori in St Thomas Street. It had been opened by Mahmud in 1981, when it was the town’s only Indian restaurant. But it can’t claim to be the first as there had already been one on Falsgrave, which had closed by the time the Tandoori opened.

When the neighbouring property occupied for many years by Burkins cobblers closed, the business partners jumped at the opportunity to expand. Now the restaurant has 130 seats on two floors and is being refurbished in time for the launch of a new menu in the new year.

Two years ago, Alkas and a second business partner, Sahed Ahmed, opened Saba Thai, a short distance away.

“The biggest thing you need in this trade is enthusiasm. It’s a demanding business and you need to keep evolving,” he says. One of the ways Alkas tries to keep ahead of rivals is by conducting research abroad. In 2000 he visited the spice gardens of Sri Lanka to learn more about cardamom, cinnamon, cloves, etc. When he goes to Bangladesh in February, he will check out restaurants and talk with chefs with a view to creating new dishes.

Alkas’s other passions include sport, with football at the top of the list. He used to play in the local leagues and supports Manchester United “through and through”. He works out in a gym, and needs to be fit as he is a workaholic, usually putting in over 60 hours a week.

He loves cricket and is helping to organise a team of staff from three local Indian restaurants to play in Scalby Cricket Club’s second annual charity tournament on Sunday. The other teams are the host club, a group of teachers and a group of medics.

 

Favourite food: Indian and Thai

Favourite music: U2

Favourite film: Lord of the Rings trilogy

Favourite holiday destination: Sri Lanka

Favourite TV programme: Spartacus series

Favourite place in Scarborough: seafront

Three people you would invite to dinner: Bono, Nelson Mandela, Diego Maradona

Three U2's 12 Inch

Three was produced as a 12-inch and subsequently a 7-inch, with an initial run of 1,000 individually numbered copies. It has been reissued six times, but it remains a rarity and was first released on CD in 2008 as part of the bonus disc with the that year’s reissue of Boy.

The track order was determined by a listener poll on Dave Fanning’s radio show. Callers chose “Out of Control” to be the A-side of the record, with “Boy/Girl” and “Stories for Boys” as runners-up, constituting the B-side of the record. Following Three, the band released the singles “Another Day”, “11 O’Clock Tick Tock”, and “A Day Without Me” before releasing Boy, in 1980.


U2 performed all songs from Three live regularly in the band’s formative years. The earliest known performances of “Out of Control” and “Stories for Boys” took place in August 1979. “Out of Control” was written on lead singer Bono’s eighteenth birthday. “Boy/Girl” may have also been played at this stage: a song named “In Your Hand” may have been related in some way to “Boy/Girl” but no recordings of it exist.

The first confirmed performance of “Boy/Girl” took place in October 1979. All three songs were regularly performed on the Boy Tour in 1980–1981, although “Boy/Girl” appeared less than the others. “Stories for Boys,” which premiered at an unknown date in August 1979, was used as a concert opener a few times before being moved to late in the main setlist, nearer to “Out of Control”, which was typically the last song of the main set. In mid-March 1981, the Three songs were united to close the main set. “Stories for Boys” was first, followed by “Boy/Girl”, which segued into “Out of Control”.

This trilogy lasted until the end of the tour. “Boy/Girl” and “Stories for Boys” did not remain in the band’s live repertoire long after the end of the Boy Tour. “Boy/Girl” was played three times afterwards, while “Stories For Boys” was initially frequently performed on the October Tour before it was removed from the setlist in late March 1982. “Out of Control”, however, remained in the band’s live show for longer, rotating with “Gloria” as the concert opener on the War Tour and the first leg of the Unforgettable Fire Tour.

It then appeared twice late in the Unforgettable Fire Tour before returning sporadically to the setlist on the third leg of the Joshua Tree Tour and three performances on the Lovetown Tour. “Out Of Control” then had an absence from live shows of over eleven years. It was played again on 15 May 2001 on the Elevation Tour. After initial infrequent performances proved popular with fans, it became more regular in the setlist as the tour progressed. It was retained on the Vertigo Tour for special occasions; it was played a total of nine times, including instances in Toronto and Los Angeles where U2 performed it with local bands. “Out of Control” made its U2 360° Tour debut in São Paulo.

It made 5 other U2 360° appearances. The song was also the closer to the Glastonbury 2011 set. The Vertigo Tour also saw part of “Stories for Boys” return to the setlist - Bono acknowledged its lyrical relationship with “Vertigo” by snippeting some lyrics from “Stories for Boys” at the end of “Vertigo”. This snippet was a regular feature of shows on the Vertigo Tour’s first leg but was done only sporadically on the second leg and never on subsequent legs.

Bono Denies Chest Pains Report

It isn’t chest pains and it isn’t even vertigo, insists Bono. Just a routine checkup.

The U2 frontman denied reports he had been taken to the hospital after complaining of chest pains while on vacation in the south of France. Bono, 51, did go to Princess Grace Hospital in Monaco, but his spokeswoman said it was for a routine checkup.

“Despite press stories to the contrary, Bono has not suffered a recent health scare,” the spokeswoman said in a statement on the band’s website. “Reports of his being rushed to hospital for emergency treatment are untrue. Bono is in good health and enjoying a family holiday in the south of France.”

The scare was reported by the Irish Independent newspaper and picked up by several outlets.

U2 Donate Millions

Bono’s stock in Facebook may be worth an estimated value of $1 billion, but the U2 frontman and bandmates aren’t keeping all of their riches too themselves: This week, U2 donated $7.2 million dollars to Irish schools,Bloomberg reports, with the lion’s share going toward musical equipment and music teacher salaries. The remaining funds will go to charity organization Ireland Funds.

In other U2 News, Bono’s latest essay — following a series of op-ed pieces for the New York Times in 2009 — will pay tribute to fellow philanthropic entertainer Oprah Winfrey for a new book honoring her eponymous television show’s 25-year run.

And speaking of two decades ago, U2 are reissuing Achtung Baby (Super Deluxe Edition)  for the seminal album’s 20th anniversary.