Wednesday, 4th March 2009
New York. David Letterman Show. Started the day by meeting with the lighting supply company for the tour, who have gradually been coming to terms with the magnitude of the project. They now also understand the fact that the staging set up is so radically different from the norm that none of us can make assumptions about how everything will come together - traditional methods simply will not apply.
One thing which has made me laugh is that the stage design has already earned its nickname. Above the performing area is a huge four-legged structure that effectively straddles the football field, from which all the paraphernalia of the show is suspended (this in lieu of a roof, being outdoors and all.) I've been working on this, off and on, for about two and a half years now, having shown the band the first drawings whilst we were still on the Vertigo tour.
During the evolution of the structure it has, at various times, come to resemble several different things; a dockyard crane, a cactus, a giant crab, the Theme Building at Los Angeles airport. It went very Louise Bourgeois for a while, then a little space age. In its final incarnation though, its sleek curves and four talon-like legs have been dubbed "The Claw", remembering the fairground machine from Toy Story. This really amused me, spawning a fantasy of it descending and grabbing members of the audience, all of whom, presumably, would have three eyes.
Anyway, I digress. After the lighting meeting I went to see a projector demonstration - not something for the U2 tour but an interesting new gizmo which I wanted to go and have a look at for future reference. This was followed by a video meeting, and then another video meeting. The tour is still three months away, but a great many decisions now need to be made every single day, it seems.
Tune-de-jour at Letterman was 'I'll Go Crazy If I Don't Go Crazy Tonight', getting its first airing. Tim and his lighting team had really pushed the boat out, creating an interesting and (for a TV chat show) highly radical look for the song. This was a good demonstration of something that David Letterman said on air, during the show; 'Having U2 here is like a shot of electricity to the whole place - they just make everybody better.' Generous words indeed. When you're right in the thick of it, it's easy to forget just how hard this band strives to make everything the best it can be and that kind of energy tends to spread.
There's a huge amount to do just now, both for future promo appearances and for the real tour. I was hoping to sneak home at the weekend, but a U2 radio appearance in Boston next Wednesday just turned into a film shoot, so I'm going to have to stay on and get involved. Here we are. Trapped in Paradise.
Live from Dave's show
Not much more to say
3 Nights Live with U2
Tonight and Wednesday, the band are taking part in 'U2 3 Nights Live' and we're carrying it live for our U2.com Subscribers. 'U2 3 Nights Live', produced by FMQB Productions, places the band in three cities for three exclusive radio broadcasts on three consecutive nights.
The band will be in Chicago for part two of the broadcast series where they will host a radio takeover hour broadcasting a one hour live show as guest deejays. And the final night of the radio extravaganza finds the band at a historic theater in Boston for a live performance and audience Q&A in a very intimate setting on Wednesday, March 11th. All three shows have a broadcast start time of 9:00 p.m., EST. Log-in to U2.com each night to listen to alive stream of each event.
No Apple - Blackberrry a Sweeter Deal
The Irish rock group U2 is moving on with a new corporate partner, at least for its upcoming dance across the globe. The tour begins June 30 in Barcelona, Spain, with the kickoff to the band's Live Nation tour to support its new "No Line on the Horizon'' album. The tour will be sponsored by Research In Motion, whose decidedly staid BlackBerry is being challenged by Apple's gadget eye candy iPhone. "This tour announcement marks the first stage of a relationship and shared vision between RIM and U2 that we expect will lead to new and innovative ways to enhance the mobile music experience on the BlackBerry platform for U2 fans," U2 manager Paul McGuinness said. "We look forward to sharing more details as the relationship unfolds." It wasn't long ago that Apple and U2 were joined at the, uh, iPod In 2004, lead singer Bono and the guitarist known as Edge joined Apple Chief Executive Steve Jobs on the stage of the newly restored California Theatre in San Jose to announce an unprecedented marketing partnership between U2 and the Cupertino technology company. Then came the jet-black iPod U2 Special Edition. "This love affair between Steve Jobs and Bono — I don't know," Needham analyst Charles Wolf said. "Hey, it's a democracy. Bono was hanging out with Bill Gates for a while." Alas, money is thicker than love.
Pauls Comments
Paul McGuinness has been talking to Hot Press about the imminent announcement of U2's world tour, which is likely to include three Croke Park stop-offs in July.
"This is going to be a very big tour, the biggest shows we've ever done," he reveals. "We're going to play stadiums only. Football stadiums. That excludes, for instance, baseball stadiums because the production that we've designed is 360 degrees. It's a stage with the audience on all sides."
Will the stage be in the centre of the arena?
"Not quite in the centre, it will be towards one end of the field in a typical football stadium, so the places we're playing will be tiered football stadiums; no flat fields, no festivals, no baseball stadiums. Only big, tiered stadiums."
As with previous U2 productions, there's a heavy emphasis on new technology.
"Well, yeah. I mean the engineering to do this, obviously it has to be a freestanding structure that has to support sound, lighting and video. And that's never been done before. Some people have performed in the middle of a field or maybe in a stadium on a one-off basis, but this is a touring production designed by Mark Fischer and Willie Williams, as usual. We've been talking about it for years, and this is the time we're going to do it. It will be necessary to tell people a bit about the production before the tickets go on sale because otherwise they're going to say, 'hold on, that seat is behind the stage'. Now, it's not behind the stage. There is no behind. So we'll be playing to very large capacities and that gives us an opportunity, or we think it's an opportunity, to scale the house in quite a radical way. So I think, when the tour is announced, which will probably be on March 9th, certainly we are going to start in Europe, and basically do six weeks in Europe, take a logistical break and then six weeks in North America. The large capacities give us an opportunity to scale the house and have some seats at very low prices, and there will be higher prices as well. But the breadth of the scaling will be wider than anyone has ever done in our business. That's kinda news."
Asked about all the Croke Park speculation, McGuinness says: "It's always best to know when you are going to announce it, because there are so many things affected by this, like hotels and airlines, and there's speculation on those commodities which have nothing to do with us. So we try to be disciplined about it, otherwise there can be unforeseen circumstances. Also, sometimes with sports facilities that we are looking to use around the world, we have to wait for sports leagues to resolve. Sometimes if a team loses, such-and-such a stadium becomes available. And all those things are a part of the planning so it's better to build up to it."
It's Hot Press' understanding that U2 will initially announce two Croke Park shows on July 24 and 25, with the option of a third on July 27 if, as expected, those sell-out.
Fans hoping for something a little more intimate will be heartened by McGuiness' observation that: "The new O² in Dublin is not what I would call an arena, it's an amphitheatre in layout, but it has the same capacity as an arena, and it's an amazing facility. And this tour is exclusively outdoors, there will be no indoor shows, but I look forward to a tour when we will be indoors again."
U2 360 Tour : On Sale
U2 360° TOUR :: 2009
Date | Venue | City | State | Country | PUBLIC ON-SALE |
30 June 2009 | Camp Nou | Barcelona | ES | ON SALE SOON! | |
07 July 2009 | San Siro | Milan | IT | Fri. 13 March | |
11 July 2009 | Stade De France | Paris | FR | ON SALE SOON! | |
15 July 2009 | Parc des Sports Charles Ehrmann | Nice | FR | ON SALE SOON! | |
18 July 2009 | Olympic Stadium | Berlin | DE | ON SALE SOON! | |
20 July 2009 | Arena | Amsterdam | NL | Sat. 14 March | |
24 July 2009 | Croke Park | Dublin | IE | ON SALE SOON! | |
31 July 2009 | Ullevi Stadium | Gothenburg | SE | Fri. 13 March | |
06 August 2009 | Slaski Stadium | Chorzow | PL | ON SALE SOON! | |
10 August 2009 | Stadium Makimir | Zagreb | HR | ON SALE SOON! | |
14 August 2009 | Wembley Stadium | London | GB | ON SALE SOON! | |
18 August 2009 | Hampden Park | Glasgow | GB | ON SALE SOON! | |
20 August 2009 | Don Valley Stadium | Sheffield | GB | ON SALE SOON! | |
22 August 2009 | Millenium Stadium | Cardiff | Wal. | GB | ON SALE SOON! |
12 September 2009 | Soldier Field | Chicago | IL | US | ON SALE SOON! |
16 September 2009 | Rogers Centre | Toronto | ON | CA | ON SALE SOON! |
20 September 2009 | Gilette Stadium | Boston | MA | US | ON SALE SOON! |
24 September 2009 | Giants Stadium | New York | NY | US | ON SALE SOON! |
More Tour NEws
Kiss The Future, U2's world tour in support of its new album "No Line on the Horizon," will play stadiums around the world, beginning June 30 in Barcelona, Billboard can exclusively reveal. Details of the tour will be announced March 9.
It's a groundbreaking tour with production that includes a 360-degree audience configuration, ambitious staging and a cylindrical video screen. "We're very excited about the idea to go on the road with this album," the Edge says. "It's an album that I think is going to translate so well to the live context. The songs we've tried in rehearsal are sounding fantastic, so that's got everyone really fired up."
U2 will be playing in a setting unique among all previous tours, by any artist. The tour will be global and lengthy. U2 will stay in Europe through Aug. 22, then hit American shores on Sept. 12 with a show at Soldier Field in Chicago. The band will play in North America until Oct. 28 and plans on working the globe until the fall of 2010. In addition to its production firsts, the tour is destined to become one of the highest-grossing tours ever; at $389 million, the band's 2005-2007 Vertigo tour is second only to the Rolling Stones' A Bigger Bang trek.
After playing arenas in North America and stadiums elsewhere on their last few tours, U2 will play stadiums everywhere this time out. "This is going to be completely different, and that's what makes it exciting -- finding something new to bring to the touring culture," says the Edge. "It's hard to come up with something that's fundamentally different, but we have, I think, on this tour. Where we're taking our production will never have been seen before by anybody, and that's an amazing thing to be able to say. For a band like U2 that really thrive on breaking new ground, it's a real thrill."
As they have for well over a decade, Live Nation global music chairman Arthur Fogel and his team will produce and promote U2 worldwide. Committing to a global stadium tour is "obviously a major undertaking on a bunch of different levels," says Fogel. "On the last tour it basically broke down indoors in America and stadiums outside of America. Both shows were pretty different and they were both incredible, but I think the general feeling, and certainly mine, was the experience of U2 in a stadium is special and unique, and it would be great for North America to experience that the way the rest of the world did the last time around."
Playing in a 360 configuration will increase the capacity by about 15%-20%, depending on the stadium. The configuration opens up myriad opportunities for scaling ticket prices, an important consideration for Fogel and the band. The top ticket price will be slightly higher than last time and the bottom price will be lower, with the floor seats -- the closest to the stage -- the lowest priced. In fact, playing larger capacity venues allows for more conservative pricing overall. Field level is going to be $55, and there will be 10,000 tickets a show, every show, at $30, Fogel says. The price points are $250, $90-$95, depending on the market; $55 and $30.
On-sales will begin in Europe in mid-March, and North American on-sales will start in late March/early April. U2 will also resurrect its random upgrade program first seen on the Elevation tour [sic] in 2001, where select fans purchasing GA tickets will be moved closest to the stage.
The basic layout of the tour is Europe in July and August, America in September and October with a total of 40-45 shows this year; more stadiums in America in June and July next year, then August and September in Europe. The trek then tentatively will hit South America in the fall of 2010, for potentially as many as 90-100 shows over the next two years.
This will be the first tour under U2's 12-year multi-rights deal with Live Nation, though the band's relationship with Fogel dates back to a show at the El Mocambo in Toronto in 1979. "Arthur and I are great friends and I've been very interested in the Live Nation project for years now, and we've been very supportive of it," says U2 manager Paul McGuinness. "We obviously intend to go on performing for a long time to come and that's what the deal reflects. U2 always had parallel careers as recording artists and a touring act and it was always fundamental to our way of thinking that the two should be complimentary."
Up Coming Tour News
According to Billboard, U2's upcoming world tour will be called Kiss the Future. As has previously been reported, the tour begins in Barcelona, Spain, on June 30. U2 will stay in Europe through Aug. 22, then hit the U.S. on Sept. 12th in Chicago. The band will play in North America until Oct. 28, and plans on working the globe until the fall of 2010.
Playing in a 360 configuration will increase the capacity by about 15%-20%, depending on the stadium. The configuration opens up myriad opportunities for scaling ticket prices. The top ticket price will be slightly higher than last time and the bottom price will be lower, with the floor seats -- the closest to the stage -- the lowest priced. Field level is going to be $55, and there will be 10,000 tickets a show, every show, at $30. The price points are $250, $90-$95, depending on the market; $55 and $30.
On-sales will begin in Europe in mid-March, and North American on-sales will start in late March/early April. U2 will also resurrect its random upgrade program first seen on the Vertigo tour in 2001, where select fans purchasing GA tickets will be moved closest to the stage.
Stay tuned for the official announcement and tour dates on Monday, March 9th.
Horizon Hang Over
Really good, but not what I was expecting. U2 fans have been demanding a rocker of a song with a lot of depth and experimentalization for several years now. Get On Your Boots lives up exactly to Edge's summation and U2's desire to satisfy its fans.
But when we got what we wanted, for some U2 fans, it wasn't really what they wanted. U2 has said that they never were really a singles-type of band, but have remained relevent and viable to an enormous loyal worldwide fan base because of their depth and big picture mindset. This is not your typical first single release - a catchy poppish song with a big hook. It runs much deeper. Not what I expected for a first single - but I'm glad I did NOT get that typical pop first single we get from most artists. This looks like the makings of a very rich album, and I'm looking forward to hearing the rest.
Bono's charitable and diplomatic activities can be a two-edged sword. Ironically, They do seem to make him appear to removed from the real world that listens to U2's music, but they also provide a hunger for him to express in his lyrics. What should not go without being stressed highly - The world is also extremely hungry for new quality music - and I truly hoping that that hunger and drive is reflected strongly on this album.
What are your thoughts ?
A break in the horizon
Several readers have let us know that Amazon.com is selling downloads of No Line On The Horizon for only $3.99. We think this is a one-day deal. Here's the link. Look over to the right and follow the link.
It offers up a few new hits for the wedding playlist, but No Line on the Horizon is mostly restless, tentative and confused. It's not terrible, but it feels like the work of musicians torn between the comfort of the present and the lure of one last run into the adventurous past.
Now lets break down each song, one by one
Get On Your Boots"
The likely first single, this blazing, fuzzed-out rocker picks up where "Vertigo" left off. "It started just with me playing and Larry drumming," the Edge recalls. "And we took it from there."
"Stand Up Comedy"
Another hard rock tune, powered by an unexpectedly slinky groove and a riff that lands between the Beatles' "Come Together" and Led Zep's "Heartbreaker." Edge recently hung out with Jimmy Page and Jack White for the upcoming documentary It Might Get Loud, and their penchant for blues-based rock rubbed off: "I was just fascinated with seeing how Jimmy played those riffs so simply, and with Jack as well," he says.
"Crazy Tonight"
"It's kind of like this album's 'Beautiful Day' — it has that kind of joy to it," Bono says. With the refrain "I know I'll go crazy/If I don't go crazy tonight," it's the band's most unabashed pop tune since "Sweetest Thing."
"Unknown Caller"
This midtempo track could have fit on All That You Can't Leave Behind. "The idea is that the narrator is in an altered state, and his phone starts talking to him," says the Edge.
"Tripoli"
This strikingly experimental song lurches between disparate styles, including near-operatic choral music, Zooropa-style electronics, and churning arena rock.
"Cedars of Lebanon"
"On this album, you can feel what is going on in the world at the window, scratching at the windowpane," says Bono, who sings this atmospheric ballad from the point of view of a war correspondent.
"Magnificent"
"Only love can leave such a mark," Bono roars on what sounds like an instant U2 anthem. Will.i.am has already done what Bono calls "the most extraordinary" remix of the tune.
"Moment of Surrender"
This seven-minute-long track is one of the album's most ambitious, merging a Joshua Tree-style gospel feel with a hypnotically loping bass line and a syncopated beat.
"Every Breaking Wave"
A swelling soul-pop song, with bright synth sounds influenced by OMD and, Bono says, "early electronica." "You don't hear indie bands doing blue-eyed soul [like this]," he adds.
"No Line on the Horizon"
The title track's relentless groove began as a group improvisation. "It's very raw and very to the point," says the Edge. "It's like rock & roll 2009."
After reading I thought I might want to re-listen and gain some understanding that I may have missed, most often I need to listen a few more times to get it right.
Its here !
Its offical, Time to download and tell me what you think
Today, U2 begins an unprecedented five-night residency on Late Night With David Letterman
Today, U2 begins an unprecedented five-night residency on Late Night With David Letterman. Tuesday, No Line on the Horizon hits store shelves and digital outlets in the United States.
The band members talked to CNN about burnout -- Horizon was recorded after a marathon, 129-show tour -- band infighting and a bird incident involving Mullen's drum kit. The following is an edited version of those interviews.
CNN: You guys must have been terribly burned out after your last tour.
Bono: We won't do burned out! (laughs)
Larry Mullen Jr.: There is no such thing in U2 as taking a long break. When we come off the road, it's straight into the studio. And that's just the way we work. You know, we've got no place to go. I wouldn't know what to do with myself if I had time off.
CNN: Well, you did work in some pretty great locations.
Edge: Yeah, we did. We did a lot of recording in Fez [Morocco] on this one, as well as some in New York, and some in London [England] and a little bit in Dublin [Ireland]. I think for our band, something about changing our location gives us a different perspective, and always seems to change the music in a way.
Bono: Fez is beautiful little city. It's the religious capital of Morocco, and they have a religious music festival there -- you know, Sufi singers and Bango drummers from all over the world. I was invited to speak there, and I asked the band -- would they be interested in coming along? And surprisingly, they agreed. We set up in a little hotel -- they call them riads -- and it's a hotel around a courtyard. We set up the band in the courtyard with the square sky over our heads and birds flying in used to come [and] s*** on Larry Mullen's drum kit. He wasn't happy with that.
Mullen: We don't find it easy to make music. We find it a real challenge. It doesn't come easy, and that's why it takes us two years to come out with a record.
CNN: You make it look like it comes naturally, and it's easy.
Mullen: Um, no. I think it's called "show business."
Edge: You've got to almost see it as play, and then, ironically, you get to some very intense stuff.
Adam Clayton: There was some kind of weird magic from the very, very beginning. I think it was because we had been touring a lot, so we could play really well together. But we were really -- I don't know. We were really nice to each other, and that kind of feeling carried through to the end of the recording. And even now, we're getting on great.
CNN: No catfights? No power struggles?
Mullen: Oh, there's lots of them. There's catfights all the time. We spent 30 years arguing, but generally speaking, on a musical level there is consensus. Everything else -- we disagree.
Clayton: A lot of times when we were in that creative environment, the antagonism and the fighting is what produces the pearls. But this was an environment where everybody supported each other, and I think we produced more delicate tones. With this record, it was like we had our self-confidence as a band, and we started to play much more for each other and to each other than in terms of how far we can kick it out of the ballpark.
CNN: Are you pleased with the new album?
Mullen: It's not an easy record, and it's complex. "[Get on Your] Boots" is one of those things where our audience is kind of divided on whether they think it's a good or bad thing. I'm very pleased with it. I think it shakes it up a bit, and we need to do that. We've had two albums -- All That You Can't Leave Behind and How to Dismantle an Atomic Bomb -- and they were very U2 as U2. This album is a lot more experimental.
CNN: I remember getting a press release last fall that said, "U2 is delaying the release of their new album because they have too much material, and they're on a creative roll and don't want to stop recording." I thought, "Who delays a record because they have too much material?" Usually, it's the other way around.
Bono: If we're going to make an album, it's very important to us that every song on the album is a "10." I think the reason people aren't buying albums is a lot of times they only get one or two good songs. For us, every song had to be extraordinary, and special, and unique, and the whole had to be better than the sum of its parts. You'll have to decide if we achieved that, but that's what we were attempting.
Edge: No album of ours is ever made in a vacuum. There's always a huge amount of what's going on in the culture that informs our work. But when it comes out in the end, it always sounds like U2.
Clayton: We see each other a lot -- just to figure out what music we're listening to, what movies people are seeing, just to know where their heads are at. And if we don't have too much to talk about, we just swap knitting tips.
Bono: Edge lives down the road -- literally -- and our kids go to school together, and we hang out a lot. We always look forward to seeing Larry and Adam, but you know, they guard their privacy more than we do.
CNN: Sounds like you've figured out how to work together and live together.
Bono: Everybody has just enough rope, just enough time, to be an a**hole. You know what I mean? 'Cuz everyone's going to be one at some point. Or maybe that's just me! But, you know, people need space to make mistakes. People have to do their own growing, and we don't all grow at the same time.
CNN: So what I want to know is what are your mistakes?
Bono: Oh, how long do you have?! (laughs)
Edge: I don't think the relationships would work if other than for the music. The interesting thing is we're so different, and that's our strength. We are united in one cause, which is U2, and the work that we do and the music that we make. As long as we're making great music, there will never be any issues with our band. But if we make one bad album, I'd say the fighting, the friction that would cause, would be huge.
Bono: Individual egos, as big as they may appear -- and they may not be as big as they appear -- are certainly subsumed to the band ego. That's the real thing.
Clayton: I think head-butting is something that you do when you're a young man. As you travel down the road together, you stop thinking about what the band can do for you, and you think much more about what you can do for the band. You start to really appreciate what everyone else does, and realize how good they make you look.
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Bono: It's very hard to imagine anyone else being in the Beatles. It's very hard to imagine anyone else being in U2. People tell me that if you go to a U2 show, when we walk out on stage, everybody has the hairs going up in the back of their neck. What we don't tell everyone is that happens to us, too. And I don't know why that is. I think it's chemistry.
Mullen: We were always labeled "big" -- you know, "U2's a big band." And you want to be a great band, and I think that's one of the reasons we stick at it. There's still work to be done.
24hrs and waiting
That's right 24 hours left and the new CD will be released - If your inclined to purchase on-line please visit either AMAZON or ITUNES from the links within the site. This helps us with our building costs, oh yea a could help feed some coffee into the system.
Tour to be annouced on March 9th - Read about it here
On March 9th, the band will announce details of where and when they'll be hitting the road this year - but dates and venues are yet to be finalised and fans are advised to steer clear of groups claiming to have tickets available now.
Details of countries, cities, venues and dates will be revealed on U2.Com in nine days time and no-one has any tickets yet.
'The tour will be officially announced on March 9th and the schedule is subject to change of date and location till then,' said Paul McGuinness, manager of the band. 'It would be crazy to buy tickets before the announcement on U2.com.'
Arthur Fogel, CEO Global Touring and Chairman Global Music at Live Nation, underlined the advice to fans to steer clear of channels claiming to be selling tickets for the tour.
'The tour has not been announced and no tickets should be purchased at this time. ' he said. 'Fans should beware of unofficial and unscrupulous sellers.'
Bottom line ? Don't take a risk on any tickets until you've seen the real dates announced here, on March 9th.
BUY IT SUPPORT OUR GROUP
Breathe Live
Linked ?
For the second time this month, an online music store has started prematurely selling No Line on the Horizon. This time, the Universal Music Australia store has made the entire album available as digital downloads, and fans all over the world are buying it up, putting it on file sharing sites, and sending it to friends. The album's out there now; no turning back. Update: Universal Australia is no longer selling the album; it was available for about 1-2 hours.
Little did anyone know that NLOTH was also available on the Napster Mobile online store. An @U2 reader found it and bought the album on February 8th; it was available all last week, and finally removed yesterday (Feb. 16).
Everyone seems to love NLOTH. Join the discussion, or just see what they're saying in our forum. Link is below. (Note: no file sharing/trading is allowed in the forum.)
LIVE FROM NYC MARCH 6th
The location of the unprecedented morning TV event has yet to be announced, but the group's performance coincides with the release of its highly anticipated new album, "No Line on the Horizon," which hits stores Tuesday March 3.
Failed to make the top 10 list
The lead single from U2's much-hyped new album last night failed to breach the U.K. Top Ten, with the band hitting the charts at their lowest point in over a decade.
"Get On Your Boots" was the highest new entry of the week in the U.K., but fans were bitterly disappointed that it only charted at 12.
This is in contrast to the Irish charts, where the first single from album No Line on the Horizon shot straight to the top spot.
Online U2 fan forums last night blamed a host of factors for the relatively low U.K. placing, ranging from the changed nature of the charts to internet leaks.
Certainly the changed attitudes of the record-buying public mean that album sales will be the true barometer of the band's popularity. But unless the single rises up the charts in the coming weeks it will mark U2's worst performance since 1997's "If God Will Send His Angels."
That song was the fifth single from the Pop album and was not aggressively hyped or marketed in the way "Get On Your Boots" has been. And while number 12 is a respectable position for most bands, the world-conquering might of U2 has only failed to dent the U.K. top 10 four times in 25 years.
The band have enjoyed a remarkable run of success since their very first number 10 hit "New Year's Day" in 1983.
Elsewhere in the charts, last week's Brit Awards had a huge impact on the record-buying public.