Joshua Tree narrowly beats out Achtung Baby

U2 Fans yesterday woke up around the world to the question of the day on Facebook. If you could only have one U2 ablum with you what ablum would that be. Of course we had some differences. War, Best of, How to Build, but for the most part it was neck neck these two ablums. For us we think its Joshua tree. A defining period for all of us.

The Joshua Tree is the fifth studio album by rock band U2, released on 9 March 1987 on Island Records. Written and recorded in Dublin throughout 1986, it was produced by Daniel Lanois and Brian Eno. The album is dedicated to lead singer Bono’s assistant, Greg Carroll, who was killed in a motorcycle accident during the album’s recording.

There is within music an ability to tap into the raw, revelatory power of beauty; music can give itself to the unknown whisper of the eternal in ways that other forms of art only hint at. The collage of sounds communicates something deep to the heart and, when combined with the presence of the voice, can be downright liberating. Few individuals, let alone bands, ever really reach a point where they are that open to the Unknown that it can give itself so freely through their music. U2 has done so time and again, but never with the level of directness and sincerity as they accomplished on the Joshua Tree.

A joshua tree is a real tree that thrives despite the dry environment it lives in. The image - the icon - of life amidst its seeming absence, embodied in the joshua tree, is one that is fully appropriate to U2 - particularly at the end of their first decade. U2, like the joshua tree, stood in stark contrast to its environment: ascetic, prophetic and disarmingly (some would say “naively”, but let the tension stand) sincere. (Their foray into the realm of post-modern sampling, irony and sarcasm was an identity crisis fully in line with where they stood in the 80s: cynicism is frustrated optimism.)

“I Still Haven’t Found What I’m Looking For”, the second song, really expresses the kernel of The Joshua Tree; every other song fleshes it out in some way or another. The album is, in the end, about distance: “I have run, I have crawled, I have scaled these city walls only to be with you: But I still haven’t found what I’m looking for.” While one may take this to be an admission of defeat - and distance whispers of despair as much as consummation - doing so is incorrect: “I’m still running,” Bono sings. The song is an expression of hope more than anything.

Faith is a raw and disarmingly rough beauty; it looks within and it looks without. “Bullet the Blue Sky” and “Mothers of the Disappeared” give full expression to U2’s long-time political engagement, while “With or Without You” gives a glimpse into U2’s more tender side. “With or Without You” may very well be the best love song of the 80s. “One Tree Hill”, a deeply personal song about the death of a friend, moves with passion and rugged grace - and, again, with hope: “I’ll see you again when the stars fall from the sky and the moon has turned red over one tree hill.”

The album received critical acclaim, topped the charts in over 20 countries, and sold in record-breaking numbers. According to Rolling Stone, the album increased the band’s stature “from heroes to superstars”. It produced the hit singles “Where the Streets Have No Name”, “With or Without You”, and “I Still Haven’t Found What I’m Looking For”. The album won Grammy Awards for Album of the Year and Best Rock Performance by a Duo or Group with Vocal in 1988. The Joshua Tree is frequently cited as one of the greatest albums in rock history, and it is one of the world’s all-time best-selling albums, selling 25 million copies. In 2007, a remastered version of the album was released to mark the 20th anniversary of its original release.

Achtung Baby is the seventh studio album by rock band U2. Produced by Daniel Lanois and Brian Eno, it was released on 19 November 1991 on Island Records. Stung by the criticism of their 1988 release Rattle and Hum, U2 shifted their musical direction to incorporate alternative rock, industrial, and electronic dance music influences into their sound. Thematically, the album is darker, more introspective, and at times more flippant than the band’s previous work. Achtung Baby and the subsequent multimedia-intensive Zoo TV Tour were central to the group’s 1990s reinvention, as U2 replaced their earnest public image with a more lighthearted and self-deprecating one.

Seeking inspiration on the eve of German reunification, U2 began recording Achtung Baby in Berlin’s Hansa Studios in October 1990. The sessions were fraught with conflict, as the band argued over their musical direction and the quality of their material. After weeks of tension and slow progress, the group made a breakthrough with the improvised writing of the song “One”. They returned to Dublin in 1991, where the majority of recordings were completed. The album’s title and colourful multi-image sleeve were chosen to confound expectations of U2 and their music.

One of U2’s most successful records, Achtung Baby earned favourable reviews and debuted at number one on the US Billboard 200, while topping the charts in many other countries. It spawned the hit singles “One”, “Mysterious Ways”, and “The Fly”. The album has sold 18 million copies worldwide and won a Grammy Award in 1993 for Best Rock Performance by a Duo or Group with Vocal. One of the most acclaimed records of the 1990s, Achtung Baby is regularly featured on lists of the greatest albums of all-time.

 



'an extraordinary day' -Bono

Did you happen to catch the NY Times this weekend, Bono had a chance to comment on the Saville report.  Bono’s Op-Ed  points out very directly that a 11 minute report does not clear away the wounds of a life time. Yet this does provide closure for some. What are your thoughts ? Bono holds back no punches to say that this report outlines the causes and the conflict between those that witnessed this event. Event may not be the right word. What we now know is that this was wrong, as if we needed a report to highight that fact. 11 people are dead for what ? Bono’s words below should give you something to think about. Often we brush things under the carpet to avoid conflict. This time its right in your face. 

Bono:

ONE of the most extraordinary days in the mottled history of the island of Ireland was witnessed on both sides of the border last Tuesday.

The much-anticipated and costly Saville report … the 12-years-in-the-making inquiry into “Bloody Sunday,” a day never to be forgotten in Irish politics … was finally published.

On that day, Jan. 30, 1972, British soldiers fired on a civil rights march in the majority Catholic area of the Bogside in Derry, killing 14 protesters.

It was a day that caused the conflict between the two communities in Northern Ireland — Catholic nationalist and Protestant unionist — to spiral into another dimension: every Irish person conscious on that day has a mental picture of Edward Daly, later the bishop of Derry, holding a blood-stained handkerchief aloft as he valiantly tended to the wounded and the dying.

It was a day when paramilitaries on both sides became the loudest voices in the conflict, a day that saw people queuing to give up on peace … mostly young men but also women who had had enough of empire and would now consider every means necessary — however violent or ugly — to drive it from their corner.

It was a day when my father stopped taking our family across the border to Ulster because, as he said, the “Nordies have lost their marbles.” And we were a Catholic-Protestant household.

Contrast all this with last Tuesday … a bright day on our small rock in the North Atlantic. Clouds that had hung overhead for 38 years were oddly missing … the sharp daylight of justice seemed to chase away the shadows and the stereotypes of the past. No one behaved as expected. The world broke rhyme.

A brand-new British prime minister, still in his wrapping paper, said things no one had imagined he would … could … utter ….

“On behalf of our country, I am deeply sorry.”

And there was more ….

“What happened should never ever have happened,” said the new prime minister, David Cameron. “Some members of our armed forces acted wrongly. The government is ultimately responsible for the conduct of the armed forces. And for that, on behalf of the government, indeed on behalf of our country, I am deeply sorry.”

It was inconceivable to many that a Tory prime minister could manage to get these words out of his mouth. It was also inconceivable — before he uttered the carefully minted phrasing — that he would be listened to by a hushed crowd gathered in Guildhall Square in Derry, a place not famous for its love of British leaders of any stripe, and that he would be cheered while speaking on specially erected screens that earlier had been used to relay images from the World Cup.

Thirty-eight years did not disappear in an 11-minute speech — how could they, no matter how eloquent or heartfelt the words? But they changed and morphed, as did David Cameron, who suddenly looked like the leader he believed he would be. From prime minister to statesman.

Joy was the mood in the crowd. A group of women sang “We Shall Overcome.” There was a surprising absence of spleen — this was a community that had been through more than most anyone could understand, showing a restraint no one could imagine. This was a dignified joy, with some well-rehearsed theatrics to underscore the moment.

As well as punching the sky and tearing up the first “Bloody Sunday” inquiry — a whitewash by a judge named Lord Widgery who said the British troops had been provoked — these people were redrawing their own faces from the expected images: from stoic, tight-lipped and vengeful to broad, unpolished, unqualified smiles, unburdened by the bile the world often expects from this geography.

Derry is a community and these Derry people looked like guests at a wedding — formal only for as long as they had to be, careful of their dead but not at all pious. Some began to speak of trials and prosecutions but most wanted to leave that talk for another day.

Figures I had learned to loathe as a self-righteous student of nonviolence in the ’70s and ’80s behaved with a grace that left me embarrassed over my vitriol. For a moment, the other life that Martin McGuinness could have had seemed to appear in his face: a commander of the Irish Republican Army that day in 1972, he looked last week like the fly fisherman he is, not the gunman he became … a school teacher, not a terrorist … a first-class deputy first minister.

Both Mr. McGuinness and Gerry Adams, the leader of Sinn Fein, seemed deliberately to avoid contentious language and to try to include the dead of other communities in the reverence of the occasion. Though a few on the unionist side complained that the $280 million spent on the inquiry, commissioned by Prime Minister Tony Blair in 1998 and led by Lord Saville, a top judge, could have been used to improve Northern Ireland’s schools or investigate unionist losses, they mostly accepted the wording of the report that the deaths were “wrong” and “unjustified”; Protestant clergymen spoke of “healing” and held meetings with families of the victims.

Healing is kind of a corny word but it’s peculiarly appropriate here; wounds don’t easily heal if they are not out in the open. The Saville report brought openness — clarity — because at its core, it accorded all the people involved in the calamity their proper role.

The lost lives rose up from being statistics in documents in the Foreign Office to live once again. On the television news, we saw them … the exact time, the place, the commonplace things they were doing … William Nash, age 19, shot in the chest at close range, his father wounded trying to reach him … William McKinney, age 26, shot in the back while tending the wounded … Jim Wray, age 22, shot twice, the second round fired into his back while he was lying on the ground outside his grandparents’ house. We saw their faces in old photographs, smiles from 38 years ago … the ordinary details of their ordinary and, as Lord Saville repeatedly pointed out, entirely innocent lives.

It’s not just the Devil who’s in the details … God, it turns out, is in there too. Daylight …

Even the soldiers seemed to want the truth to be out. In the new report, some contradicted statements they had been ordered to make for the Widgery report.

It is easily forgotten that the British Army arrived in Northern Ireland ostensibly to protect the Catholic minority.

How quickly things can change.

In just a couple of years, the scenes of soldiers playing soccer with local youths or sharing ice creams and flirting with the colleens had been replaced by slammed doors on house-to-house raids … the protectors had become the enemy … it was that quick in Derry.

In fact, it can be that quick everywhere. If there are any lessons for the world from this piece of Irish history … for Baghdad … for Kandahar … it’s this: things are quick to change for the worse and slow to change for the better, but they can. They really can. It takes years of false starts, heartbreaks and backslides and, most tragically, more killings. But visionaries and risk-takers and, let’s just say it, heroes on all sides can bring us back to the point where change becomes not only possible again, but inevitable.

U2 is in a studio in Dublin, playing its new song, “Sunday Bloody Sunday,” to the record company. The melody is a good one but the lyric is, in hindsight, an inarticulate speech of the heart. It’s a small song that tries but fails to contrast big ideas … atonement with forgiveness … “Bloody Sunday” with Easter Sunday. The song will be sung wherever there are rock fans with mullets and rage, from Sarajevo to Tehran. Over time, the lyric will change and grow. But here, with the Cockneyed record company boss at the song’s birth, the maternity ward goes quiet when the man announces that the baby is “a hit”… with one caveat: “Drop the ‘bloody.’ ‘Bloody’ won’t bloody work on the radio.”

 

"I wanted Dad to say he loved me"

Bono and his father

This song was written for Bono’s father. U2 performed it at his funeral in 2001.

Bono said, “How To Dismantle An Atomic Bomb is an odd title for an album, we accept that and people have asked, `What are you talking   about?’ “Actually, I was talking about my father, Bob. He was the atomic bomb in question, and when he died (he) set off a chain reaction in me and I’ve been shouting about him and giving off (sic) about him and complaining about him and screaming about him for the last few years and maybe tonight is a time to stop.

“It’s really a great, great moment for me personally. I want to thank my father, Bob, for giving me the voice and a bit of attitude to use it.”

The lyrics were written by lead singer Bono as a tribute to his father, Bob Hewson, who died of cancer in 2001; Bono sang the song at his funeral. The video to the song begins with a note from Bono about his father, saying “I wish I’d known him better.”

The song was released worldwide on 7 February 2005. The song was added to BBC Radio 1’s “C List” Playlist on 29 December 2004. It moved to the B List a week later and to the A List a week after that.

The song was also playlisted by XFM. The song debuted at #1 in the UK, marking the first time that a U2 album has produced two UK #1 hits (following “Vertigo” in November 2004.)

Bono’s Father Passing The single was also the third release in the United States. It reached #15 on the Adult Top 40 chart and #29 on the Modern Rock Tracks chart in April 2005. It also reached #97 on the Hot 100.

The Complete U2 features a demo version of the song with a different verse but without the falsetto chorus line. On the album’s deluxe edition bonus DVD is an acoustic performance of the song by Bono and The Edge.

It was featured on the second season of The O.C., episode 4, titled “The New Era”. It was also featured on the Ugly Betty episode “I See Me, I.C.U.”. It played after it was revealed that Bradford Meade, father of Daniel Meade died, drawing parallels to the song’s concept.

 

Orginaly Titled “Tough”

Sometimes You Can’t Make It on Your Own

Tough, you think you’ve got the stuff
You’re telling me and anyone
You’re hard enough

You don’t have to put up a fight
You don’t have to always be right
Let me take some of the punches
For you tonight

Listen to me now
I need to let you know
You don’t have to go it alone

And it’s you when I look in the mirror
And it’s you when I don’t pick up the phone
Sometimes you can’t make it on your own

We fight all the time
You and I
That’s alright, we’re the same soul
I don’t need, I don’t need to hear you say
That if we weren’t so alike
You’d like me a whole lot more

Listen to me now
I need to let you know
You don’t have to go it alone

And it’s you when I look in the mirror
And it’s you when I don’t pick up the phone
Sometimes you can’t make it on your own

I know that we don’t talk
I’m sick of it all
Can you hear me when I sing?
You’re the reason I sing
You’re the reason why the opera is in me

Where are we now?
Still gotta let you know
A house still does not make a home
Don’t leave me here alone

And it’s you when I look in the mirror
And it’s you that makes it hard to let go
Sometimes you can’t make it on your own
Sometimes you can’t make it
Best you can do is to fake it
Sometimes you can’t make it on your own

All lyrics written by Bono, all music composed by U2. 

U2 360 North America Tour Spring 2011?

We heard this before however no offical word has broken as of yet as to when Bono and the boys will be heading back to America. We carefully avoid spreading rumors. However watch this video and listen to hear if you hear what we heard. Yup we heard  “North America in the spring” Could it be true ? Also we heard that some news of the tour would be coming out very soon.

This video was an interview with Active Aero Group which is a charter service and cargo company based out of Willow Run Airport. They have the plane all painted and ready to go. Notice the different name of the plane. We have found three different names of planes that will be used. 

Win a U2 - 360° AT THE ROSE BOWL

U2 Tourfans is giving away copies of U2 - 360° AT THE ROSE BOWL Deluxe !

U2 360° At The Rose Bowl was the penultimate gig of last year’s U2360° Tour in support of their Grammy nominated album No Line on The Horizon.

The Rose Bowl performance was the band’s biggest show of 2009 and U2’s biggest ever US show, with a live audience in excess of 97,000.

U2 - 360° AT THE ROSE BOWL [Super Deluxe Edition]

 POST YOUR COMMENTS ON FACEBOOK/U2TOURFANS


The show was also streamed across seven continents via YouTube. The first ever live streaming of a full-length stadium concert, U2360° at the Rose Bowl had over 10 million views on the channel in one week.

Enter to win. Easy - Post your comments and Photos to the show you attended or why you love U2 on Facebook/U2TOURFANS, selections will be made in random different hours of the day.  If you attended a show last year tell us about it. If your planning to attend a show this year tell us about. Post a photo and share your comments. 

Shot entirely in HD, the concert was filmed with 27 cameras and directed by Tom Krueger who had previously worked on U23D, the first live action 3D concert movie taken from U2’s Vertigo Tour.

Available in standard and 2-disc deluxe DVD formats (see below), U2360° At The Rose Bowl will also be U2’s first concert available in Blu-ray. The deluxe formats and the Blu-ray will feature a new documentary called Squaring the Circle: Creating U2360° with new interviews from U2, Paul McGuinness and the team behind the touring production.

Enter to win. Easy - Post your comments and Photos to the show you attended or why you love U2 on Facebook/U2TOURFANS, selections will be made in random different hours of the day.  If you attended a show last year tell us about it. If your planning to attend a show this year tell us about. Post a photo and share your comments. 

U2 To Announce New Dates

U2 are reportedly facing losses of up to £100 million ($148 million) as a result of the cancellation of their world tour this year, brought about by Bono undergoing emergency back surgery.

U2’s mammoth 2010 world tour was put on hold, and a headlining slot at Glastonbury was cancelled, after Bono was admitted to hospital last month. The effects on their bank balance look set to be severe.

The band’s manager Paul McGuinness told The Sun, “If we play or not, touring still costs us £500,000 ($741,000) a day.”

A band insider is also quoted as saying, “Bono and the band are covered by insurance but the costs of overheads and missed revenue could easily reach £100 million by the time he’s fit enough to tour again.”

News of U2’s tour deficit comes days after it emerged that bass player Adam Clayton is to sue the band’s financial controller for alleged negligence.

Meanwhile, the band are set to announce their rearranged tour dates this week. The Edge has previously stated that live dates would resume in August.

Faith Follows Fans, Bono Follows the World

Right now news from around the tour maybe a bit slow, nothing really new to report. Great time to catch up on other stories,become  fan, follow the litle bird and await for the return.  We have been reading some interesting books about U2, Bono and Faith it seems that everyone wants to place a label on the band and yet know one really has an idea of where to place it. 

To call them a Christian band may cause a shift in the world reglion. Yet many churchs will tell you allowing U2 music to play within the church has returned some people to God.

The title track from the band’s latest album, No Line on the Horizon — an album as steeped in spirituality as any since U2’s earliest years — seems to speak to that. There’s the image itself, the absence of a line, a final destination. A character in the song also says two things worth noting: “Infinity is a great place to start,” and “Time is irrelevant, it’s not linear.”

Razim sees it as similar to the parting of the Red Sea. “To me, it’s about God making a way when there seems to be no way.”

It’s a vast vision of the cosmos and the beyond that doesn’t exactly jive with the idea of heaven as a victorious endgame.

So it is that Bono told Christianity Today, “I generally think religion gets in the way of God.”

Or in 2002, the Edge told Hot Press, “I still have a spiritual life, but I’m not really a fan of religion per se.”

Christianity Today referred to Bono’s tour of American churches on behalf of African aid as “an arm’s-length experience of churches (that) leaves Bono with a paper-thin ecclesiology that measures the church’s mission [or its “relevance”] almost exclusively in geopolitical terms.”

But Garrett sees progress in Bono’s nonmusical works. “I think we’re seeing more people believe in that sense of the church needing to be more responsive to the needs of the world and less fixated in individual salvation. Especially among younger Christians. I think they were on the front end of that.”

The band’s music has found its way into American churches in the form of U2charists, which have been taking place over the past five or six years.

Razim has overseen two of them at Palmer, New Year’s Eve 2008 and Juneteenth 2009, both of which filled the church to capacity. A third is planned for the coming New Year’s Eve. U2 music is sung and money is raised for the United Nations’ Millennium Development Goals, a stipulation by the band in exchange for allowing its music to be sung without royalties.

She says the U2charist is “true to who we are” and in keeping with the church’s outreach.

And despite a somewhat strained relationship between U2 and any particular organized religion, Razim, like Garrett, sees kinship in the band’s spirituality. “It’s about searching and seeking,” she says. “The first time I heard a U2 song I detected it. It’s a journey, with faith developing and asking hard questions.

“I think their music is affirming and empowering, and it’s a true expression of who we are in this place and time.”

U2’S SPIRITUAL PLAYLIST

Sometimes U2’s songs are fairly obvious in their religious reference points. 40 is just a modified version of Psalm 40. Then there’s Mysterious Ways, which could just as easily be about a woman as it could about some other spirit. Some songs are questioning (most of Pop),others reverent (much of Boy). Here are just a few of the band’s spiritual songs that represent just some of the breadth of U2’s spiritual journey. As to which spirit they’re summoning, that’s in the ear of the behearer.

Twilight (from Boy, 1980)

I Will Follow (from Boy, 1980)

Gloria (from October, 1981)

Rejoice (from October, 1981)

40 (from War, 1983)

The Unforgettable Fire (from The Unforgettable Fire, 1984)

I Still Haven’t Found What I’m Looking For (from The Joshua Tree, 1987)

Bullet the Blue Sky (from The Joshua Tree, 1987)

Mysterious Ways (from Achtung Baby, 1991)

The Wanderer (from Zooropa, 1992)

Wake Up Dead Man (from Pop, 1997)

Grace (from All That You Can’t Leave Behind, 2000)

Elevation (from All That You Can’t Leave Behind, 2000)

Peace on Earth (from All That You Can’t Leave Behind, 2000)

Love and Peace or Else(fromHow to Dismantle an Atomic Bomb, 2004)

Sometimes You Can’t Make It on Your Own (fromHow to Dismantle an Atomic Bomb • , 2004)

Magnificent (from No Line on the Horizon, 2009)

Bloody Sunday killings unjustified !

Nearly 40 years after British soldiers shocked the world by shooting to death 14 protesters in Northern Ireland, an official investigation concluded Tuesday that the demonstrators posed no threat and that the killings were completely unjustified.

The massacre on the streets of Londonderry on Jan. 30, 1972, was seared in the British and Irish consciousness as Bloody Sunday and marked one of the most important turning points in the conflict in the British province of Northern Ireland. The incident radicalized Roman Catholic republican activists and ratcheted up the level of sectarian violence in “the Troubles,” which ultimately claimed more than 3,000 lives.

Tuesday’s long-awaited report overturned a government inquiry conducted immediately after the shootings, which acknowledged that the security forces’ actions might have “bordered on the reckless” but alleged that the victims had been armed with guns and homemade bombs.

Sunday Bloody Sunday” is the opening track from U2’s 1983 album, War. The song was released as the album’s third single on 11 March 1983 in Germany and The Netherlands.”Sunday Bloody Sunday” is noted for its militaristic drumbeat, harsh guitar, and melodic harmonies. One of U2’s most overtly political songs, its lyrics describe the horror felt by an observer of The Troubles in Northern Ireland, mainly focusing on the Bloody Sunday incident in Derry where British troops shot and killed civil rights marchers. Along with “New Year’s Day”, the song helped U2 reach a wider listening audience. It was generally well-received by critics on the album’s release.

The priest, Edward Daly, who is now retired, told the BBC in Londonderry on Tuesday that the new report has given him “a sense of enormous relief that this burden has been lifted from my shoulders and off the shoulders of the people of this city. It’s wonderful when the truth emerges.”

Get On Your Boots for the US vs. England

U2 has licensed their song “Get on Your Boots” for the World Cup Games. The FIFA World Cup 2010 England vs. the US ties 1/1. In the Pre-Match ads they showed a commercial featuring U2 and the Soweto Gospel Choir performing a mash-up for the World Cup Games.

“Get On Your Boots” is from U2’s 2009 “No Line on the Horizon” album and we love how it’s been re-purposed here. Not only is it a recognizable pop tune but it’s been redone with some craft. The boots now represent the shoes of the athletes.It takes a song that at times seems politically charged and makes it an anthem for the games. It may take away the punch of the song but we like this new light hearted version. We miss the  “Sexy Boots” line which has been taken out.  This is a much more subdued version, not lacking in the same energy just transforming it into a cheer for the games.The new ad instills some pride



Adam Clayton sues band's accountant

Adam Clayton is suing the band’s accountant Gaby Smyth for alleged negligence. 

Smyth controls all of U2 group companies and is thought to have been behind the decision to move U2’s publishing operation to Holland in order to avoid Irish taxes. Given the band’s anti-poverty stance, this decision was highly controversial.

Clayton is bringing the negligence claim against Smyth and two accountants in Gaby Smyth & Co., Jill Percival and Pat Cleary. The Bank of Ireland Private Finance is a fourth defendant in the case.

The claim concerns investments made on Clayton’s behalf and professional advice offered by Smyth’s company. The details of the claim are not yet known. Clayton has until July 4 to issue formal summons.

This is the second High Court action from Clayton in the past six months. In January, the court froze the assets of Carol Hawkins, Clayton’s former housekeeper, after claims that she defrauded him of up to $2.18 million.
 
Clayton had two accountants review his financial arrangement and personal accounts in preparation for the case against his housekeeper, but it is not clear if his claim against Smyth stems from this review.

Clayton’s move adds to the band’s already mounting troubles as Bono suffered a back injury that brought thier 360 tour to a halt.

U2 360° at the Rose Bowl Giveaway

 Live concert film of the U2360° At The Rose Bowl in 2009, U2’s biggest ever US show, with a live audience in excess of 97,000. Shot entirely in HD, the concert was filmed with 27 cameras and directed by Tom Krueger who previously worked on U23D, the first live action 3D concert movie taken from U2’s Vertigo Tour.

The U2TOURFANS giveaway -

 

Release Date: June 22nd, 2010

 

To enter:

  1. Find the U2 360° DVD logo on one of the U2TOURFANS pages, Clue we have at least three of them ( not in the ads. It looks like the photo above)
  2. Find the four little tour city stop name on one of the U2TOURFANS pages.  Example  “TAMPA” The city will be in quotes and bold.  
  3. Name one track from the U2 album, No Line on the Horizon
  4. Log on to the Facebook Fan Page become a fan find the email address for your entry

 

Prizes courtesy of U2TOURFANS

To purchase your own copy of U2 360 Live at the Rose Bowl, visit AMAZON.


Featuring the live concert (tracklisting below) plus:
- 32 page hardback book
- Limited edition 2-disc DVD of U2360° At The Rose Bowl plus 2 hours of bonus material;
- 1 blue-ray of U2360° At The Rose Bowl plus 2 hours of bonus material
- 1 vinyl 7inch
- 3 U2360° guitar picks
- Tour Programme
- Limited edition numbered drawing of final stage design
- 5 art prints in an embossed wallet

- Squaring The Circle: Creating U2360 Documentary
- U2360° Tour Clips
- Bonus Track ‘Breathe’ (Live At The Rose Bowl)
- Berlin Timelapse Video

Videos:

- Get On Your Boots
- Magnificent
- I’ll Go Crazy If I Don’t Go Crazy Tonight (Animated)
- I’ll Go Crazy If I Don’t Go Crazy Tonight (Live At Barcelona)
- The Making Of ‘Get On Your Boots’ Video
- The Making Of ‘Magnificent’ Video

Tracklisting:

1. Get On Your Boots
2. Magnificent
3. Mysterious Ways
4. Beautiful Day
5. I Still Haven’t Found What I’m Looking For
6. Stuck In A Moment You Can’tGet Out Of
7. No Line On The Horizon
8. Elevation
9. In A Little While
10. Unknown Caller
11. Until the End of the World
12. The Unforgettable Fire
13. City of Blinding Lights
14. Vertigo
15. I’ll Go Crazy If I Don’t Go Crazy Tonight
16. Sunday Bloody Sunday
17. MLK
18. Walk On
19. One
20. Where The Streets Have No Name
21. Ultra Violet (Light My Way)
22. With Or Without You
23. Moment Of Surrender

 

Nathanial We Have Your Back !

 

 Editor Comment: Not sure when the first time I got an invite to support this Facebook page however this story was amazing. We did not cover the story. This story was written by David Guarino on his blog over at technorati.com. This 8 year kid created a postive message to show Bono that we all care.

Now notice his age 8 years old.  Thats great to see that fans come from all age groups.

Nathanial, we are going to ask our followers to show some love to you and support your hard work ! Good Job - U2TOURFANS has your back too.

Facebook Page Link - Followers lets reward the positive work he has done by following - Let him know that we sent you over to him !

Orginal Story by David Gurino

Not many people pray for rock stars – especially admitted rock star megalomaniacs who strut as comfortably before 100,000 screaming fans as they do in front needy Africans, supermodels, presidents and the Pope.

By now you know I mean to say, not many people pray for Bono.

But the 50-year-old lead singer of U2 has hit a bit of a rough patch and an 8-year-old boy in Western Canada has his back.

When Nathanial Crossley of Alberta learned Bono had badly injured his back, required emergency surgery and postponement of the band’s planned summer North American tour, he did what any right-minded, red-blooded, child of the digital age would do: He created a Facebook group.

Nathanial’s aptly-named group, “Bono: I Got Your Back,” had humble beginnings, with family and friends joining to support the 8-year-old. But word got to the U2 world, it hit some U2 fan blogs, got a “thank you” on U2.com and then took off.

As of today, there are 1,244 fans throughout North America, from Portugal to Croatia, up through Scandinavia and down to Chile. The site has landed Nathanial on a local rock radio station and allegedly became part of a motivation and emotion lecture by a psychology professor at Chapman University in California.

Nathanial, and his parents, Blake and Candice Crossley, said in interviews that they can’t believe the people drawn to the simple call to action.

“It’s awesome to see how global this has become,” said Blake, a 35-year-old network administrator at Keyano College, who has been a U2 fan for more than 20 years and who proudly notes Nathanial didn’t “see” U2 until last year but heard them when his 3-months pregnant Mom caught a 2001 show.

Nathanial said he was disappointed when he learned the singer had been hurt, saying he was “sad that (Bono) hurt his back while he was rehearsing. I hoped that he was ok and would get better but he was hurt pretty bad.”

Nathanial, told that the tour had been cancelled over breakfast one morning, said he wanted to do something. He wrote Bono a ‘get well’ card, including his own school picture to the pop star,

  ut also wanted to show Bono he had support out there. Blake remembered saying, “Oh, like you have his back.” One conversation led to another, and they decided on the Facebook page.

“It’s pretty amazing what can happen over a bowl of Cheerios,” Blake Crossley said.

Asked why he did it, Nathanial says simply, “So Bono would feel better and see that someone is supporting him. I also wanted other people to support him.”

Nathanial’s Dad embraces the metaphysics of whether prayers – even the Facebook kind – can help a rock star on the mend, and, of course, quotes a U2 song.

“I think the spirit of people transmitting positive energy and vibes to someone we all love and care about makes a person feel loved,” Blake Crossley said. “I’d ask Bono a simple question and take it from the album ‘Pop,’ ‘Do You Feel Loved?’ You should because you got an army of supporters behind you.”

As Nathanial would say, if you need it, Bono, they got your back.

 

 

Bono and Lance Chillin in France

A few weeks after undergoing emergency surgery, which put the North American leg of the U2 tour on hold, Bono is recovering in his luxury villa in the French Riviera – with a little help from friends.

After meeting pals for lunch in Saint-Jean-Cap-Ferrat earlier this week (he drove himself), he has also spent time with Lance Armstrong, who is in the country for a bike race.

“Lunch with an old friend,” Lance tweeted on Thursday, posting a photo of himself with the Irish rocker in front of a very scenic backdrop.

Bono, looking quite tired, is holding a wine glass and has his arm around Lance’s pregnant girlfriend, Anna Hansen, while Lance holds their son, Max.

The rock star, who was released from a Munich hospital on May 25, has to spend at least eight weeks doing physical rehabilitation, which put the kibosh on the North American leg of U2’s 360° world tour. The dates will be rescheduled for 2011.

In 2009, U2’s tour grossed just shy of $110 million, making it the year’s most profitable show. hoto by

Photo Credit twitter.com/lancearmstrong

Bono Walks On

—to French Riviera—After Spinal Surgery

Good news. Bono is he’s back on his feet.

The U2 singer stepped out in public for the first time since last month’s surgery  that led to the scuttling of the band’s upcoming 360-Degree Tour.

Bono, who hit the big 5-0 last month, was spotted in the ancient Mediterranean village of Eze sur Mer along the French Riviera, where he’s been recuperating at a posh villa he owns there. According to the U.K.’s Daily Mirror, Bono drove himself to a lunch date at the Hotel La Voile d’Or in Saint-Jean-Cap-Ferrat before meeting some friends later.

The Rock and Roll Hall of Famer suffered a back injury during rehearsals in Munich. According to his neurosurgeon, temporary partial paralysis had already occurred in his lower leg and could’ve become permanent had the problem not been corrected during the emergency procedure.

His prognosis for a full recovery is said to be “excellent,” and with at least two months of physical rehabilitation, doctors say he should be ready to hit the stage again.

“I was joking earlier on that this is probably the most rest he’ll have in decades, you know the few weeks after the operation,” said The Edge in a video post on U2.com. “But the other thing we have to make sure is that he does follow the doctor’s orders in terms of the program of rehabilitation because knowing him again he’ll probably want to take some short cuts and sort of get ahead of himself.

“But really from what I understand it’s very important he does this in a very methodical way.”So we’ll be there to chain him down if need be.”

Bono’s injury also forced U2 to scrap a headlining gig at the 40th anniversary of the U.K.’s legendary Glastonbury Festival, for which the group had written a commemorative song. Gorillaz will serve as the replacement band.

If all goes well, Bono and bandmates plans to begin rehearsals in August before relaunching their stadium trek. The rockers will also put the finishing touches on their next album.


Bono and Angelique World Cup Video

Continuing to garner acclaim for OYO, an album of music that inspired her while growing up in Benin, Angelique Kidjo debuts the album’s first video for the single “Move On Up”, the track itself featuring guest vocals from Bono and John Legend. This stunning video, directed by Kevin J. Custer (Lil Wayne, Gym Class Heroes) features the imagery, and appearances by the dancers, of the acclaimed musical FELA! which is directed and choreographed by Bill T. Jones (adapted for the video by Maija Garcia.) Presented by Shawn “JAY-Z” Carter and Will and Jada Pinkett Smith, the Broadway sensation is currently nominated for 11 Tony Awards.

“Angelique Kidjo is one of this world’s truly great musical personalities,” said Stephen Hendel, FELA!’s lead producer.  “The Broadway company of FELA! was honored to participate in this beautiful music video and we are delighted by how well the video captures both the spirit and soul of Angelique, of the FELA! performers, and of Bill’s choreography.”

“I am convinced that the success of the FELA! musical on Broadway is the indisputable sign that people are now interested in the true richness, depth and beauty of African culture,” said Angelique Kidjo. “I feel that the music from my continent is a universal language that can create a bond between all the different cultures of the world and this is what the musical is about. Collaborating with the FELA! dancers on the ‘Move On Up’ video has been an amazing experience for me:  The Musical and the song, that I dedicate to the African youth, carry the same message of joy and hope for the future of Africa and for the future of people everywhere.”

On June 10 the entire world will have their eyes on Africa and on Angelique as she performs at the FIFA World Cup Kick-Off Celebration Concert, at the newly renovated Orlando Stadium in Soweto/Johannesburg. The concert celebrates the first time the tournament has taken place in Africa. Also performing will be John Legend, Alicia Keys, Amadou & Mariam, Black Eyed Peas, Shakira and others of their stature. “Move On Up” is also featured on Listen Up! The Official 2010 FIFA World Cup Album, which was released May 31, with proceeds from its sale going to various African charities.

Angelique Kidjo will continue touring internationally throughout 2010 in support of OYO.


ANGELIQUE KIDJO DEBUTS VIDEO FOR “MOVE ON UP”

** International Superstar Joined by Bono & John Legend on Curtis Mayfield Classic **

** Video Features Dancers from Acclaimed, Tony-Nominated Broadway Musical FELA!**

** Uplifting Clip a Perfect Segue to Angelique’s World Cup Performance on June 10 **

The Unforgettable Fire (BONUS)

The Unforgettable Fire will feature bonus audio material and a DVD including music videos, a documentary and unreleased live footage from the Amnesty International Conspiracy of Hope Tour in 1986.

Here’s the 16 track listing for :

The Unforgettable Fire Bonus Audio CD.

Disappearing Act
A Sort of Homecoming (live)
Bad (live)
Love Comes Tumbling
The Three Sunrises
Yoshino Blossom
Wire (Kervorkian Remix)
Boomerang I
Pride (In The Name of Love)
A Sort of Homecoming
11 O’Clock Tick Tock
Wire (Celtic Dub Mix)
Basa Trap
Boomerang II
4th of July
Sixty Seconds in Kingdom Come




As the comments on our earlier story have been suggesting, The Unforgettable Fire - with the arrival of Brian Eno and Danny Lanois in the studio - has a special place in the heart for many fans and a lot of the tracks on this bonus CD have been unavailable for a long time.

Two of the titles from those Slane Castle sessions have never been available: ‘Yoshino Blossom’, and ‘Disappearing Act’, which the band recently completed. A Sort of Homecoming and Bad are live versions, from The Unforgettable Fire Tour that were on the highly sought after collectors item EP Wide Awake in America.



The version of 11 O’Clock Tick Tock was the b-side to ‘Pride (In The Name of Love)’ while Wire (Celtic Dub Remix) was previously on 7” vinyl given away free with NME in May 1985.

And The Unforgettable Fire DVD Collection looks like this:

The Unforgettable Fire
Directed by Meiert Avis

Bad
Directed by Barry Devlin

Pride (In The Name Of Love)
Directed by Donald Cammell

A Sort Of Homecoming
Directed by Barry Devlin

The Making Of The Unforgettable Fire - documentary
Directed by Barry Devlin


Additional Material

U2 at A Conspiracy Of Hope Concert
1. MLK
2. Pride (In The Name Of Love)
3. Bad
Recorded live at Giants Stadium, New Jersey, USA, 15th June 1986

U2 at Live Aid
1. Sunday Bloody Sunday 2. Bad
Recorded live at Wembley Stadium, 13th July 1985

Pride (In The Name Of Love) - Sepia version
Directed by Donald Cammell

11 O’Clock Tick Tock - Bootleg version
Live from Croke Park, Dublin, Ireland, 29th June 1985

Lanois intensive care !

Canadian producer-artist Daniel Lanois has canceled all upcoming tour dates after a motorcycle crash in L.A. this past Saturday, a press release announced today. “Lanois suffered multiple injuries but is expected to be released from intensive care soon,” the release states. “Due to the severity of the injuries, Lanois…will be recuperating for the next two months.” He had previously scheduled a European tour for this July.

Lanois is best known for his close working relationships with the likes of Bob Dylan (Oh Mercy, Time Out of Mind) and U2 (The Joshua Tree, Achtung Baby, All That You Can’t Leave Behind, and more). He has also released several albums of his own material, and recently started a new trio called Black Dub. The press release says Black Dub “will release their debut album when circumstances permit.”

Lanois worked collaboratively with Brian Eno on some of Eno’s own projects, one of which was the theme song for David Lynch’s film adaptation of Frank Herbert’s Dune.

Eno invited him to co-produce U2’s album The Unforgettable Fire. Along with Eno, he went on to produce U2’s The Joshua Tree, the 1987 Grammy Winner for Album of the Year, and some of the band’s other works including Achtung Baby and All That You Can’t Leave Behind.

Bono recommended Lanois to Bob Dylan in the late 1980s; in 1989 Lanois produced Dylan’s Oh Mercy. Eight years later Dylan and Lanois worked together on Time Out of Mind which won a Grammy Award for Album of the Year in 1997.

Danny pop back soon -Cheers Mate

I want my U2

How many of you remember when MTV first came on air in the Tri state area. On August 1, 1981, at 12:01 a.m., MTV: Music Television launched with the words “Ladies and gentlemen, rock and roll,” spoken by John Lack.

Those words were immediately followed by the original MTV theme song, a crunching guitar riff written by Jonathan Elias and John Petersen, playing over a montage of the Apollo 11 moon landing.

With the flag having a picture of MTVs logo on it. MTV producers Alan Goodman and Fred Seibert used this public domain footage as a conceit, associating MTV with the most famous moment in world television history.

Seibert said they had originally planned to use Neil Armstrong’s “One small step” quote, but lawyers said Armstrong owns his name and likeness, and Armstrong had refused, so the quote was replaced with a beeping sound.

At the moment of its launch, only a few thousand people on a single cable system in northern New Jersey could see it.

Appropriately, the first music video shown on MTV was “Video Killed the Radio Star” by The Buggles. The second video shown was Pat Benatar’s “You Better Run”. Sporadically, the screen would go black when an employee at MTV inserted a tape into a VCR.

Video of the launch of MTV was uploaded onto YouTube in 2009, with the original commercials, and the “black screens” between videos. The “MTV lettering” differed on its first day, and included record label information like year and label name.

As programming chief, Robert W. Pittman recruited and managed a team for the launch that included Tom Freston (who succeeded Pittman as CEO of MTV networks), Fred Seibert, John Sykes, Carolyn Baker (original head of talent and acquisition), Marshall Cohen (original head of research),Gail Sparrow (of talent and acquisition), Sue Steinberg (executive producer), Julian Goldberg, Steve Casey (creator of the name MTV and its first program director), Marcy Brafman, Ronald E. “Buzz” Brindle, and Robert Morton.

So what’s the point? Well it’s summer in North America, hot and getting hotter. Many of us have grown have a couple of kids, raising a family trying to make ends meet and yet we all when out and purchased tickets to see the boys. It was kind of a chance to go back to that happy time. Summer 1982 ! 

Now fast forward to December 1982, the band arrived in Sweden with director Meiert Avis to shoot a video for New Year’s Day, first single from the their third album ‘War’.

The song, which made its 360 debut in Dublin a few days ago, was inspired by Lech Walesa, the leader of Solidarity, the trade union in Poland which helped bring down communism.

‘Snow as an image of surrender,’ explained Bono, talking about the lyric. ‘And these little glimpses of narrative, which are really just excuses for the overarching theme, which was Lech Walesa being put in prison and his wife not being able to see him…’



Adam remembers the video: ‘We needed snow so the director suggested northern Sweden. It was very basic, us performing in the snow, just kind of wrapped up, so you couldn’t really see us. I think Bono sussed that to be in a video you had to look like yourself, so he wasn’t wearing wooly hats or anything. I don’t even think he was wearing thermal underwear, just the same clothes he had on when we got off the plane from Dublin.’

Edge: ‘Bono’s mouth almost froze solid; if you watch him lip-syncing his mouth won’t quite work. But the video has an epic quality, there was something about that song that seemed to conjure up images of Dr Zhivago and European winterscapes. People always ask me: ‘Was it difficult riding the horse, in the video?’ And I have to tell them that was shot the day after we left. Apparently the four figures on horseback were all women, dressed similarly to ourselves.’

So there you go…. a random U2 connection from Sweden to Poland. (Maybe you can think of a better one…)

U2 360° Coming to Canal+ !

UK-based distributor Precious Media has completed a raft of international deals for U2 360° - At the Rose Bowl, selling the music programme into more than 30 territories.

The high definition show is a made-for-TV edit of the DVD of the same name featuring live concert footage and interviews with the band, and is available in 44-, 48- and 58-minute versions.

It has been picked up by Canal + (France and Spain); ProSiebenSat.1 and Servus TV (Germany); RSI (Switzerland); Fox (Portugal); Antena 1 (Greece); Max and Channel V (Australia); Wowow (Japan); RSI (Switzerland); NRK 1 (Norway); YLE (Finland); HBO Adria (Croatia); Servus TV (Austria); HBO Bulgaria (Bulgaria); HBO Romania (Romania); NTV (Turkey); Channel V China (China); Star World SE Asia (Laos, Malaysia, Singapore, Myanmar and Hong Kong); Star World (India); Global TV (Indonesia); Channel 5 (Singapore); TVBS (Taiwan); Channel V Thailand (Thailand); YAN and HN TV (Vietnam); Globosat (Brazil); CTV (Canada); and Red Media Moscow (Russia).


UK satcaster Sky1 also picked up rights to the show, which it aired last month. The concert was recorded at the Rose Bowl in Pasadena as part of the U2 360° Tour and was originally broadcast on YouTube, where it attracted an audience of more than 10 million.

The programme is a Whizz Kid Entertainment production for Principle Management and Mercury Records, part of Universal Music Group. It was directed by Tom Krueger, produced by Katherine Allen and Ned O’Hanlon, and exec produced by Malcolm Gerrie for Whizz Kid Entertainment and U2 manager Paul McGuinness.